Faravahar, also known as Farr-e Kiyani, is the secular national symbol of Iran’s state religion Zoroastrianism. Know about the brief history, historic influence and several interpretations of this popular symbol.
One of the popular symbols of Iranian culture, Faravahar or Farr-e Kiyani symbolizes its (pre-Islamic Persia and Iranian nationalism) state religion Zoroastrianism. Among Iranians, it is the most worn pendant and is a secular national symbol rather than merely being a religious symbol. The symbol signifies the three basic tenets and principles of Zoroastrianism: good thoughts, good deeds and good words.
The history of Iranian national emblem Faravahar’s design finds it origin in the ancient Egypt. The stylized bird pattern called spread-eagle, as is known as heraldry, features a flying bird having outstretched wings, tails and legs. These designs have also been used in different cultures all through history, even in America where its government seal features a spread-eagle.
An Egyptian spread-eagle device appears on the treasure of King Tutankhamun which has a bird's body with a human head and the hieroglyphic symbols are clasped in the outstretched talons. The Egyptian designs close to Faravahar feature a sun-disc with wings. This winged sun-disc depicts the hawk-god Horus who was believed to be incarnation of Pharaoh, god-king by the ancient Egyptians.
Since the beginning, the winged disc was a symbol of divine kingship, or the divine favor upon a king. Around 2nd millennium BC, this design had moved from Egypt to the ancient Near East. Appearing above the carved figure of a Hittite king, it symbolized a god's favor in the form of spread-eagle.
The proto-Faravahar symbol may be having a native Mesopotamian origin, combined with the Egyptian symbol in ancient Assyria. Assyrian art also identifies the winged disc with divinity and divine protection of the king and people. It is both with and without a human figure.
Ferdowsi’s Shahnameh is an Iranian national epic and it has stories (partly historical and partly mythical) from pre-islamic Zoroastrian times. Visited by many Iranians every year, Ferdowsi’s tomb includes the Faravahar symbol.
After 1979 Islamic Revolution, the Lion and Sun that were part of Iran's original national flag had been banned by the government from public places to prevent people from being reminded of life before the revolution. However, Faravahar symbols were not removed. Thus, the Faravahar symbol turned into a national symbol among the people and was tolerated by the government compared to the Lion and Sun.
The winged disc has a rich history in art & culture of ancient Near and Middle East. the symbol has historical influence with “winged sun” hieroglyph that appears on Bronze Age royal seals (Luwian SOL SUUS, particularly symbolizing royal power). In the Neo-Assyrian age, a human bust is added to the disc, the "feather-robed archer" interpreted as symbolizing Ashur.
The symbol is currently believed to depict a Fravashi (a guardian angel), from which the symbol derives its name. Since it appears on royal inscriptions, it is also believed to represent ‘Divine Royal Glory’ (khvarenah) or the Fravashi of the king or the divine mandate that was foundation of a king’s authority. This reflects the current belief that it depicts Fravashi. However, physical description of Fravashi does not exist in Avesta (sacred texts of Zoroastrianism).
The face of symbol ‘Faravahar’ looks like the face of human being and so it suggests connection to mankind. The two wings having three main feathers demonstrate three symbols of 'good reflection' 'good words' and 'good deed' which are also the basis of flight and progress.
The lower part of the symbol comprises of three parts that symbolize 'bad reflection,' 'bad words,' and 'bad deed'. And these are the reasons of misery and misfortune for humans. The two loops on either side represent Angra Minu (at the back) and Sepanta Minu (toward face). This also demonstrates that we should move ahead in the direction of good and from avert bad.
The middle circle of the symbol’s trunk stands for our immortal spirit that neither has a beginning nor an end. The hand pointing upward shows that we need to struggle to thrive, while the other hand holds a ring (ring of covenant), denoting loyalty and faithfulness which forms the basis of Zarathustra's philosophy.
In the modern-day Zoroastrianism, Faravahar is said to be a reminder of one’s life purpose. Ad that is to live in a way that the soul makes an advancement toward frashokereti, or union with the supreme divinity in Zoroastrianism ‘Ahura Mazda’.
Even though there are several interpretations of every element of the symbol, none are older than the 20th century. Since the beginning of 20th century, the Faravahar symbol was discovered in public places and became a known icon among all the Iranians.
The Winged Disc was embraced as a symbol of Zoroastrianism once and then it entered into the community not just as a graphic symbol but folk motif also. The Zoroastrian faravahar was “standardized ” to the Persepolis model and there are several adaptations of Faravahar symbol. This “standard” Faravahar emerges over the heads of Persian kings on Persepolis’ walls.
This emblem recognizes Zoroastrian publications and adorns the religious temples and places of gathering. It has also been carved into marble and semi-precious stones, made into pieces of jewelry, carved woven into wall hangings, glazed onto ceramic heirlooms and even into paper and plastic stickers.
Apart from its extensive use as a heraldic and decorative motif, several interpretations of the symbol have appeared that had little to no relevance with history. None of these have been found in the Faravahar extant scriptures. However, the Zoroastrian priests and leaders use the emblem as a visual tool for illustrating the basic elements of religion, especially to educate children. For instance, a book named “Message of Zarathushtra” by Iranian priest Bahram Shahzadi has a chapter called “What is Faravahar?”.
Another folk interpretation of Faravahar is made by a knowledgeable Zoroastrian layman. His some descriptions are similar to Shahzadi’s book but are rather more detailed. As shown in Shahzadi’s book, the open wings depict The Threefold Path and the closed skirt is representative of the human figure inside the disc is representative of evil choices split into 3 layers: bad thoughts, words, and deeds. The circle represents the law of consequences that is comprised in the divine ASHA, the Zoroastrian concept of the divinely created order of the universe.
And its another interpretation comes from an cryptic perspective. Some Zoroastrians are influenced by Theosophy, an eclectic ocular movement of the 19th century. Hindu and Buddhist esoteric ideas to Zoroastrianism, such as reincarnation, karma, and astral planes. For these believers, the Faravahar is a symbol of the soul's progression through many lives. The man’s head is reminder of God-given free-will. The ring is symbolic of the cycles of rebirths on Earth and other planes of reality. The central circle signifies the soul; the two wings are energies helping soul to advance and evolve.
The five layers of feathers in the wings (an detailed version of the Persepolis emblem) represents the five Gatha hymns of the Prophet, the five senses, the five divisions of the Zoroastrian day, and also five esoteric stages that the soul must go through on its way to God.
Just like in the other interpretations, the two streamers signify the two choices before humans: the Good Mentality and the Evil Mentality. The tail (not mentioned in the other interpretations) is the soul’s "rudder" for balancing between the Good and Evil forces.
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